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1.
The Gharial 03:15
Ways Best defined opaque Another tenet of a speech I gave Only ever in a bid Do play along? Well consider it done I desire to move on Redesign all my wants Notwithstanding any perversity Note that you are now beholden to me Abate, the very thing you’ll become Gauge, when at a glance I came alone Brandish the tongs Leatherette, Leatherette Feasting upon it, dilate Vessel to an islet shall be worn A vessel islet to an should be I know better than to validate my wants Staged, let your faith interrupt Wretch to be better interrupt my thoughts Another sign of things to come Reconsider your tone.
2.
I hear you ask with every death accrued Who's still afraid of Red Yellow & Blue? Nigh on heel-turn Violently Cry Subaltern Vehemently An Artifice All empty static An outline to abrase I would stand Had I not objected to All Assertion Silently Seek To Burden Stray too far Rendering the act subdued I only meant it in relation to The underpinnings of an act I’ll soon regret For all the trappings of an Item Girl I’m in no rush to reappraise it yet A vapid tryst Deemed Emblematic An ethos to evade Understand This is not a platitude Veiled coercion A reprieve Defamation Veer from what could remedy an attitude I only meant it in relation to The underpinnings of an act I’ll soon regret For all the trappings of an Item Girl I’m in no rush to reappraise it yet I hear you ask with every death accrued Who's still afraid of Red Yellow & Blue? Nigh on heel-turn Violently Cry Subaltern Vehemently
3.
Why disguise your indictment of My intention to fawn Over hills and bridges And if it’s concession at all I’ll mark the fringes And burn them all down Revealed to be a tenet You would run amok All to feel indebted again I admit it, I would interrupt All because it happened to me once Find instead, disaffected woe You could only invoke A discarded outpost Corroded in disrepair Established, in vogue You’ll find it all there Revealed to be a tenet You would run amok All to feel indebted again I admit it, I would interrupt All because it happened to me once
4.
I understand This is not you volunteering One could in fact Convey in words more maturely Can you expect To be so brazen in pairing An artefact With an intent so unsparing I admit I will adhere but to what end I am not sure. Calling me out as if you care for a rapport Verse2 I could exact Avarice so reassuring Could be this thread Could be what I am enduring Pre-chorus What's standing in the way of me enlightening myself What use is comfort when it shoulders my ill health What’s starved of meaning in a life before Taught me it's teeming with words I once adored It is befitting of a crown There is seldom any doubt You are a penance unavowed You have the makings of a clown What's standing in the way of me enlightening myself What use is comfort when it shoulders my ill health
5.
I decide Your fate with no contempt at all I define My act as gratitude enough No one wants to be the one held to account (held to account) No one wants to be the chosen one Not a Fast tide Or custodial Or a pass time Ever Parochial Independently I bide my time Culminating in the rupture I designed Idolise Intent so indefensible As per my Request to view the spectacle No one wants to be the one held to account (held to account) No one wants to be the chosen one Not a Fast tide Or custodial Or a pass time Ever Parochial Independently I bide my time Culminating in the rupture I designed No one wants to be the one held to account (held to account) No one wants to be the chosen one
6.
Funny Boy 01:37
Loathe Am I to call it But you seldom understand my needs Only deemed appalling When you’d rather perjure your defeat Loathe Am I to call it But you seldom understand my needs Only deemed appalling When you’d rather perjure your defeat Plead And observe Your opinion isn’t Brought into question The others I have stammered enough
7.
My affectations rarely border on extreme Invective masquerading as an elegy Adoptee, I understand Devotee, I understand While I'm undecided as to whether I will intervene You would criticise it, as if I intended to impede In my defence, the objective wasn't to be Not here for reverence, steeped in veracity My own conjecture seldom worded as support At best placated and at worst beyond reproach
8.
Braying like It improved seeing as it separated my tome from you Even then I understand Your faith it belies, my abuse These follies of yours always do It started failing me The minute I had something to give Call me and then expect no underlying feeling of it (I doubt it) Hard to feign or deny With no freedom in mind Caging my, retinues Even if they venerate me I, come back to My original intent If only because I have to Could these be the ones gazing too? It started failing me The minute I had something to give Call me and then expect no underlying feeling of it (I doubt it) Hard to feign or deny With no freedom in mind
9.
370 03:14
Had I started, my development At any other point in time It would be met with, less argument Sucede any other guise Given a part of you is only agitated By an homage you abhor When it started you had only, to hold me To account for my own envy Or at least this entry If Instead, you motion with your pen Like I had everything at stake Seconds in and it would be exaggerated A pardon you would celebrate When it started you had only, to hold me To account for my own envy Or at least this entry If an opponent bears a likeness to a cause I am a hex upon the din of your applause
10.
Lewd Cabal 04:01
Why debate, Only to leave in the end? Culminating in a feeble attempt An atavist agreed upon Telling everyone you want Even if it’s here it’s not Abandon it I want it gone Conceiving of a means to stop it Except when I am keen to posit That you will indeed admonish Me and everyone acknowledged Exonerate me as a means to end You could expede my entrapment at best Dismantling appeals, I know Won’t forever save me though If I intercept control I cannot reveal my own. Conceiving of a means to stop it Except when I am keen to posit That you will indeed admonish Me and everyone acknowledged

about

Scottish-Indian protest musician Kapil Seshasayee's new album "Laal" - a concept album about Bollywood and Indian cinema. Exploring themes of nationalism, censorship, caste and disability rights.

"Traverses hyper-pop, synth-pop and rock terrain" - Rolling Stone India
★★★★☆ - The Scotsman
★★★★☆ - The Skinny

credits

released November 18, 2022

Kapil Seshasayee: Guitar / Vocals / Keys
Edwin Stewart McLachlan: Drums
Diljeet Kaur Bhachu - Flute
Paul McArthur - Percussion

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Kapil Seshasayee Glasgow, UK

Kapil Seshasayee is a polymath, both as a songwriter and as a soundsmith, creating something wholly unique. Combining electronica flourishes evoking FKA Twigs with Indian Classical guitar ornamentations, stunning vocals and a penchant for unorthodox instrumentation such as the aquaphone, Kapil manages to be truly experimental yet still accessible. ... more

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